Since its first discovery in 1908 through the Serbian archaeologist Miloje Vasia, the so-called Vinia culture, a Neolithic painting that covered the maximum of Serbia and quantities of Romania, Bulgaria and Macedonia, but named after Belgrade, where the artifacts discovered by his best friend originated, attracted a wonderful interest to both the secular public and scientists.
Last year, archaeologists led by Sanja Crnobrnja Krasić digging in Vitkovo in Serbia made an important discovery, a 6,000-year-old monumental figurine of the female form thought to represent a fertility goddess. The figure, dubbed Venus of Župa is the latest such figure to be found. Previously, three more complete “venus” figures were found along with a number of damaged ones.
This discovery moved local media and revived the interest of Vina culture, a combination of other Americans who lived approximately 7000 years ago and once discovered irrevocably replaced the low clinical and non-uncommon prestige of the Stone Age.
For Dragan Jankovic, archaeologist and curator of the Belgrade City Museum in Vina, it is not overly direct to how critical Vinia culture is.
“Vina’s culture sites have replaced our best friend of our [Neolithic] era. After the excavations in Vina, it is transparent that we all had a bad concept of the people of that time,” he told Emerging Europe.
Studies and studies of artifacts and colonies monitor a culture and paintings of other Americans who had too complex a way of life at the time. The remains of the houses demonstrate lines of insulation opposite the elements and, in relation to the houses, there were complex advances of several rooms. The discovery of the decorative decorative ceramic station and the confusing machinery reflects a relatively comfortable lifestyle.
The colonies even had what we might call communal public spaces today. As the culture progressed, small villages evolved into spaced blocks, divided by streets and surrounded by ditches discovered at the sites of Belo Brdo, Belovode, Ore-kovica, Stubline, Gradac and Plo-nik. These advances are the first symptoms of protourban progression in Europe.
The wide variety of products discovered on Vina’s sites, combined with the ease and style with which they were designed, recalls a new advertising production. Experiments with the thermal removals of malachite show that, in times of abundance, the interest of the Vinian culture has progressed towards the creation of an elegant civilization like the one we know today.
Perhaplaystation, the most pleasant navigation discovery is the presence of co-consistent and metallurgical products that go back well before the birth of the metal era. The first cases of consistency with metallurgy have been demonstrated at various sites, adding additional evidence of the complex nature of the Vina culture. Since they manufactured metal products, we know that the lifespan of the Vina culture really has a trend since the Neolithic beyond because of the Calcolithic (etheolithic) era, a coherent and ancient concept as a component of the broader Stone Age, but in which humans first began to exploit metal machinery.
Consistent with scissors, axes, pendants, suspenders, us and classified ads we have the most popular prestige products. Aleven, although this does not seem to be the case, these net paintings were replaced from the Stone Age to the world of metals, and the assumption of owning assets was born.
According to Dr. Vera Bogosavljevio-Petrovi, curator of the late Neolithic and Etheolithic collection at the National Museum of Serbia, the hitale of Vina culture and its other Americans begins the sixth millennium BC, when a wave of migration arrived in the Balkans off the coast of Asia Minor.
“The first population slowly spread to the territory [of the Balkans] and developed new technological and spiritual advances in their colonies founded on the heritage they brought with them,” he explains.
Achievements do not seem to be only applicable with generation and metallurgy, as Vina’s culture was also a great friend, very well connected to other amounts of Europe.
“There are a lot of other Americans and concepts in a larger geographic area. Obsidian from the Carpathian Mountains, shells of the Aegean and Black Seas, axes of the infrequent alpine nephritis and salt proof are also confirmed,” explains Dr. Petrovic, touching that of other Americans and goods. This era of Vina’s history oversees advertising links with other quantities of Europe as metal products began to be exported from the territory of Vinia.
There is evidence to suggest a point of complexity h8 in Vina’s society. There were other Americans who specialized in processing a single type of fabric and other largely implants in the exposure of raw fabrics and finished products.
But although the technologies used are well known, the ideals and customs of the people of the Culture of the Vineyard are shrouded in mystery.
The National Museum of Serbia is home to large apple artifacts of the time, some dating back to the discovery of Vinia (in 1908), but one of them is the subject of much discussion. Huguy’s head caps have been found, but its precision serves as unknown remains. Scientists wonder if these goods had utilitarian or ritual use. This is removed from the only object in which archaeologists do not seem safe, however, it monitors how little is understood about some aspects of wine culture.
Funeral practices are also a topic of much debate, as only two necropolises have been discovered. All this created an air of intrigue and generated public interest, according to Dr. Petrovic and Mr. Jankovic.
“There is a public design interest in Vina, and this is demonstrated through a design in the diversity of visits that have given us a design in the diversity of foreign tourists visiting the site,” Mr. Jankovic said.
In recent years, dr. Petrovic explains that archaeological studies have begun to change matter to a non-public aspect of the lives of the people who formed those ancient cultures.
As such, move from the term culture to the term community. According to the new science, this describes the importance of huguy activity.
The generation and archaeological technique are also more advanced, allowing researchers to discuss one more burden than they can before.
Techniques such as absolute dating and broad-spectrum forensic studies can ask more explicit questions and shed light on the technological processes used in Stone Age painting works and people’s daily lives.
The National Museum of Serbia has mabig apple products used daily in a general colobig apple of Vina. Dishes, stone tools, bones and metal, figurines, measuring stations used in the kitchen, as well as jewelry and decorative architectural elements such as bucramios (sculptures of ox skulls on the walls) and other wall decorations.
But even with this rich variety of objects, there is much to discern, as scientists are running to solve the mysteries of Vina’s networked paintings.
However, Dr Jankovic tells emerging Europe that preservation is now a more critical burden than new excavations.
Illegal excavations pose an imperious threat to archaeological sites, which, according to Mr. Jankovic, is happening more and more. Illegal diggers can irreparably damage sites, and take artifacts that are components of huguy’s worldwide heritage for sale to non-public collectors, thus depriving the public and scientists of access to these critical objects.
“It’s better to keep the site, for a long time and for generations in the long run, that they may be able to use new technologies to be transformed into one more burden than we are able to do today,” he says. “If we continue to get similar data [from a search], then there is a question, why dig?”
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