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An oasis of Italian hudson valley art is established with 8 emerging artists, and a new generation of port security, when it reopens.
By Ted Loos
SPRING FRIO, N.Y. – I cheated, and possibly so were: six feet from one, an alterlocal is further away than you seem to expect.
I know this because when Magazzino Italian Art, the postwar museum and new paintings here in the Hudson Valley, recently reopened, I used a painting of social estrangement curtains called EGOpro Active Tag. Attached to a thong acircular my neck.
The tag is mandatory for all visitors and is scheduled to vibrate for more than a second, either once the user takes into account six feet of a tag used by another person.
Mine buzzed a lot.
I miscalculated my space several times and the annoying incessant hum. But this is the passive, of course. He made me go backwards and fast.
“Technology makes a wonderful variety of meaning to me,” said Harry Wilks of Plattekill, New York, visitors I met. “It would make even more sense on weekends, when there are more people.”
My interspectives didn’t help the situation. Mr. Wilks added, “Mine didn’t happen until you came to talk to me.”
Magazzino, founded in 2017 through creditors Nancy Olnick and Giorgio Spanu, is the first museum to exploit this technology.
The fact that Magazzi doesn’t take pandemic security seriously is transparent from the birth of a holiday there. Temperature controls are now mandatory for all visitors, administered in a small outdoor tent at the entrance. “No one cares right now, ” said Jay Nicholas, a holiday assistant, who took mine. Masks are also needed.
The museum, which has been closed for four months, houses 10 other Americans according to the component time in the advance booking and requires a 90-minute visit. You may also prefer more visitors, according to state and county guidelines, however, in the birth warning.
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