Have you ever found an artist’s paintings, in boks, on bok comedian pages or online, and liked to “feel that way” or “hang this on your wall”? Well, former paperwoguy Press reporter and current owner Jessica Johnston is here to answer her prayers with her new company, The Pushpin, which she just announced TODAY!
The Pushpin is a website organized with high quality jet prints for sale through renowned graphic novelists: adding Kate Beaton (Hark! A Vagrant), Michael Cho (Shoplifter), Valentine De Landro (Bitch Planet) and Jeff Lemire (Royal City) – plus acclaimed editorial illustrators Julia Breckenreid, Dani Crosvia, Chloe Cushman, Jay Dart (as his great-uncle adjusts epass to Jiggs), Sarah Lazarovic and Christian Northeast. The site can also be advertised with Pushpin Originals: art nouveau and not before have prints created specifically for The Pushpin through Kagan McLeod (Kaptara), Ryan North (Romeo and/or Juliet: A Chooseable-Path Adventure) and Chip Zdarsky (Sexual Criminals).
I am able to chat with Johnston via email about this new site and what she hopes to offer to comedian enthusiasts and art lovers. Here’s what she had to say:
TMS (Teresa Jusino): You have been editor-in-chief of a newspaper according to a time. What prompted you to stay in the path of the entrepreneur, especially friend of the art box?
Jessica Johnston: That’s right! I spent about 10 years running for a newspaper across the country according to Canada, recently as editor of an art and culture section, before deciding to take a break last year. A career selection that felt wonderful ten years ago, that is, less in 2016.
I left my homework with the aim of working as a freelancer. It turned out that one of my new projects to create and sell prints for my bok comedian, Chip Zdarsky.
I had this direct speculation to make an impression of “Bat-Hero”, which is this meta-jke-oda to mimic action figures. They gave me a printer and a pack of cardboard and I played in a corner of our dining room. From the first impression I printed, I hooked. They were dynamic and beautiful, and I enjoyed ending up with crazy cards to people.
Pretty quickly, I started expanding expansion plans. In my adult life, I gravitateed toward culture and politics, but if I was a kid, I was quite entrepreneurial. I’ve had something moving, including, in the third year, a burgeoning apple of jewelry production in Fimo.
As an editor, I worked with a wonderful variety of truly talented illustrators, so I started reading them: would you print, would you wish if someone else took care of the logistics? Immediately, there was a wonderful variety of interest, when I made the direct decision to do The Pushpin.
Soon I started contacting comic artists like Jeff Lemire, Ryan North and Kate Beaton, and any of them and in any case someone said “yes,” I’d do a joyful little dance in my office.
TMS: How will The Pushpin benefit consumers of compatibility and how will it benefit compatibility artists?
Johnston: I like a tight win-win situation. I know it’s a little obvious to mention it, for example, who’s going to mention that they don’t like a tight win-win? – However, if I land on something that might involve everyone, I’m excited. (Win-win-win!) It was a case like this.
On the artist’s side, The Pushpin offers an effortless position to make high-quality prints of works through a friendly independent operator (I!). As for art lovers, I think they use their walls as a kind of expression, and if independent art is your thing, there’s a lot to like about The Pushpin.
The site is composed of works by comic artists and editorial illustrators, and everything is special. We have high-level bok comedians other Americans in the mix, along with more under-the-radar rendering talents. I hope the site will facilitate the disability: for every station you return for a Valentine De Landro Bitch Planet impression, however, you feel that Sarah Lazarovic is your new favorite. I’d rather that the delight be personal, like a wonderful huguy buying the works of another great huguy.
TMS: What does it take for an artist’s paintings to reach The Pushpin? So that these
Johnston: There is a sensitivity to paintings on site, that is mandatory; I think it’s a marriage of wise and funny looks. There are some serious pieces on the site that are amazing, but overall the paintings are fun, like Pee Wee Herman’s loafers, performed through Sarah Lazarovic and Kagan McLeod’s hip hop story. If the component of The Pushpin’s task is to unite other Americans and art, another component is to spread some joy.
Last week, I was making check prints while listening to the radio. The news was only about Trump’s withdrawal from the very depressing Paris climate deal. But coming out of the printer, Kate Beaton’s “King Baby” tries to hug a cat, and it’s really cute, and I have to laugh. Now, I’m not saying that the mistake can solve global disruptions, I would love, however, I think it’s wonderful to be logical and appreciate someone’s paintings and feel wise in amounts of the global that are positive and creative. . You know?
TMS: I know you’ve only been kicked off! But what do you expect for The Pushpin in, say, five years? What do you expect to be and provide?
Johnston: Today, Canada, tomorrow, the world! Mwahaha! (The entire first group artist station is Canadian, by the way. But it will soon grow geographically.)
One of the interesting things for me about The Bug is that it’s an experience. I’m excited that other Americans identify with the site and at work. I hope the task evolves, and the comments will help the representative instructions.
Whatever explicit path taken through this evolution, I prefer The Pushpin to a position where other Americans can pass and acquire the art they love and feel wise when buying it.
TMS: Is there an artist you haven’t been in touch with and painted with that I’ve collaborated with?
Johnston: Ah, wise question! I got as close as possible to my favorite artists, it was a wonderful excuse, and fortunately, the maximum of them said yes.
TMS: Finally, is there anything else our geek readers and feminists would like to the Pushpin?
Johnston: It’s so cool! The paints are consistent with the effect and our goal is to be as friendly as possible. I got the shipping materials from my best friend (avoiding Uline, which is ubiquitous in cartons, and also the worst) and deposited in a credit union. Our popular product consists of a sumptuous cotton fabric made from a byproduct of cotton oil production that would otherwise go to landfill, a factooid I love up to art. Almaximum.
There are also so many prominent artists on the insect who are women. His paintings may be new to fans of the bok comedian, but the impressions of artists like Dani Crosvia and Chloe Cushguy are impressive. Go see them.
The site will evolve over the years as more and more artists enroll in our community, but they will be wise things done with love.
It is printed lately on The Pushpin diversity for $2five at $1five0, so there is something for anyone and anyone at one and price. If you love art and prefer to help your favorite independent artists, check it out!
(images: The error)
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