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TAIPEI, July 29, 2020 / PRNewswire / – To expand Taiwan’s original content, taiwan Creative Content Agency (TAICCA) and CATCHPLAY have announced a joint investment in SCREENWORKS ASIA Ltd. to create more original Taiwan content for foreign audiences. The goal of the joint venture is to continue with the best friend to serve the quantity and quality of entertainment content production and facilitate a form of foreign collaboration to make Taiwan a powerful leader for original Asian content.
CATCHPLAY is the leading distributor of foreign films in Taiwan, with films such as La La Land, Green Bok and Parasite in its recent range. Its streaming service, CATCHPLAY, has few virtual content centers that will expand greatly to foreign markets, with more than 6 million users recently operating in Taiwan, Singapore and Indonesia. With over a decade of fun in the content industry, CATCHPLAY has had a remarkable list of film investments, adding Hollywood film financing The Revenant, Assassin’s Creed and Silence by director Martin Scorsese, plus 20 Once Again, a co-production with CJ Korea Entertainment. In 2019, CATCHPLAY, in collaboration with WARNER Media’s HBO Asia, participated in the cast of its first Original Taiwanese drama series, The World Between Us, and saw the television series become the most successful series of the year in Mandarin.
TAICCA President Hsiao-Ching TING says: With an exclusive distribution of netpaintings and enjoy making an investment in foreign productions, CATCHPLAY is a prestigious distributor of foreign movies and TV shows. By investing in Taiwanese film design, TAICCA hopes to leverage Apple’s catchplay foreign distribution channels and long-standing contrary trends through the export of Taiwan-produced films abroad, resonating with the “externalization” and “brand” forms of the TAICCA firm expects to run with CATCHPLAY to establish the rules for Taiwan’s original content to be integrated into the global market , allowing Taiwan to be an influential contributor to the world.”
“Before, we complied with the rules of foreign content and delivered smart foreign content to Taiwanese audiences. Now is the time to leverage our position in the foreign market to delight and deliver Taiwan’s original works to the world,” said Daphne YANG, CEO of CATCHPLAY. , “It is an honor that TAICCA promotes this speculation and the captains of our team. We hope that this part and Taiwanese film and television industry can build a new way that meets foreign standards.”
The main objective of SCREENWORKS ASIA may be the production and distribution of maximum logical content from the diversity of original Taiwanese entertainment aimed at a foreign audience. SCREENWORKS ASIA selects a wide variety of maximum logics of foreign interest for development, working mainly in films, miniseries and fgenuine entertainment for theatrical releases, television or broadcast centers with the creation of a diversified global IP and a long-term cross-sectoral sector. forward target.
ScreenWORKS ASIA’s first announced assignment is the sequel to a successful 2019 String Drama Chain, The Making of An Ordinary Woguy II. The Making of An Ordinary Woguy and The World Between US were named the two top Mandarin logic monitors of 2019, with a rating of 8.6 and 9.2 respectively on IMDb, the world’s leading content scoring service, and reached several hundred million audiences in Asia and anything else in the world. circulating around the world Both monitors came from Taiwan and were presented to streamers at CATCHPLAY. Five other tasks have also been announced through SCREENWORKS ASIA with the main photograph for 2 of them that would begin this summer.
Since its inception last year, TAICCA has worked on IP with exceptional perspectives to facilitate its progression. Among them, the martial arts short film, The Method of Breathing through Art Director Yi LIU, the desperate winning task beyond last year through taipei’s Golden Horse Film Project Promotion, has seen its progression grow thanks to an Apple Compabig established through TAICCA. and participated in the IP test at this year’s European Film Market in Berlin. SCREENWORKS ASIA will also expand a TV series and film with the same name, reducing a point for content to be removed and creators to move to the foreign market.
TAICCA uses the Development Fund to invest in diversified industries and find gaps, formulate the best friend design and an eco-friendly formula for films with Applicable Content in Taiwan. TAICCA will continue to paint with the executive and the industry itself to welcome new co-stakeholders to announce and expand Taiwan’s cultural content.
Photo – https://photos.prnasia.com/prnh/20200729/2870692-1-aPhoto – https://photos.prnasia.com/prnh/20200729/2870692-1-b
Creative content SOURCE Taiwan